Warak Ngendhog Commodification as a Kind of Creative Industry in Semarang City 1683 515
DOI:
https://doi.org/10.26623/themessenger.v11i1.925Keywords:
Warak Ngendhog, Commodification, Creative IndustryAbstract
Warak Ngendhog in Semarang City make it a cultural phenomenon. Some forms of commodification are used in the economic, political and cultural sectors. The purpose of this study is to find out the symptoms of the cultural phenomenon which has transformed into various forms. This research use qualitative analysis with descriptive approach. As for the results of this study, Warak Ngendhog which functions has transformed and changed, can be utilized in the cultural and tourism sectors as one of the cultural icons in the city of Semarang. Warak Ngendhog culture has contributed to the government of Semarang City with the emergence of various forms of its transformation into various forms of art and culture. In addition, this study is expected to give contribution in the field of cultural preservation in Semarang City.
Downloads
References
Anawati, Y. S. (2016). Kajian Fenomena Urbanisme Pada Masyarakat Kota Ungaran. Semarang.
Bungin, B. (2012). Penelitian Kualitatif Komunikasi,Ekonomi, Kebijakan Publik, dan Ilmu Sosial Lainnya. Jaka: Kencana Prenada Media Group.
Damono, S. D. (2012). Alih Wahana. Jakarta: Editum.
Djatiprambudi, D. (2010). Komodifikasi Seni Rupa Kontemporer. Jurnal Panggung, 50.
Hoed, B. H. (2011). Semiotika dan Dinamika Budaya. Depok: Komunitas Bambu.
Muhamad, D. (2012). Membela Semarang. Semarang: Pustaka Semarang.
Rohidi, T. R. (2011). Metodologi Penelitian Seni. Semarang: Cipta Prima Nusantara.
Sumartono. (2016). Komodifikasi Media dan Budaya Kohe. Jurnal The Messenger, 8(2), 43-51. http://dx.doi.org/10.26623/themessenger.v8i2.342
Supramono. (2007). Makna warak Ngendhog dalam tradisi ritual dogderan. Semarang.
Sutopo, H. (2006). Metodologi penelitian Kualitatif (Dasar Teori dan terapannya dalam Penelitian). Surakarta: UNS Press.
Wibowo, F. (2007). Kebudayaan Menggugat. Yogyakarta: Pinus Book Publisher.
Downloads
Published
Issue
Section
License
Copyright Notice
We declare that:
1. This paper has not been published in the same form elsewhere.
2. It will not be submitted anywhere else for publication prior to acceptance/rejection by this Journal.
3. A copyright permission is obtained for materials published elsewhere and which require this permission for reproduction.
The corresponding author signs for and accepts responsibility for releasing this material on behalf of any and all co-authors. This agreement is to be signed by at least one of the authors who have obtained the assent of the co-author(s) where applicable.
Retained Rights/Terms and Conditions
1. Authors retain all proprietary rights in any process, procedure, or article of manufacture described in the Work.
2. Authors may reproduce or authorize others to reproduce the work or derivative works for the authors personal use or for company use.
3. Although authors are permitted to re-use all or portions of the Work in other works, this does not include granting third-party requests for reprinting, republishing, or other types of re-use.
